Category: Process

  • On Practicing – End of the Line intro

    On Practicing – End of the Line intro

    The other day I was noodling around with some “mini shape” transitions and stumbled upon the intro to End of the Line by the Traveling Wilburys.

    The last phrase of the intro has the chords G > A > D > A > D.

    I’m playing it using a combination of mini shapes with the 

    • root on the 3rd string
    • root on the 2nd string
    • or root on the first string

    The phrase sounds like this.

    Thre major “mini” chord shapes. R = the root note.

    Playing it before I really dig in.  Click to enlarge the video window.

    Maybe you can hear that there are some small gaps in the moves between chords. I can hear that, and it’s NOT how I want to sound! I’d better dig in.

    My understanding of what to play is clear, so that means my playing habits are creating some hesitations between the chords.

    Time to remove those hesitations.

    How does one go about that?

    Here is the process I use to find, and begin to correct, habits that are holding me back.

    It’s not just a matter of practice. I need to figure out exactly what my fingers are already doing, and work one changing THOSE habit. What I don’t want to do is just keep practicing over and over and over, and there by continuing to engrain the stuff I’m trying to remove.

    Here is a video where I’m not looking for the sound. I’m looking for where I see moments, of hesitation, or confusion on the part of my fingers.

    Looking for issues in my left hand fingers. Click to enlarge the video window.

    Now it’s just a matter of putting in the time and effort to build a set of new habits. I’m going ot have to spend A LONG TIME practicing like this.

    Part of the problem is that I’ve been playing for a long time and these habits are well engrained. I’m going to have to be mindful of this work throughout all of my playing time for week? months? Years?

    Beginning the Process of Cleaning Up My Playing

    Yep. Now that I’m aware of the issue, it’s getting a little bit better.

    But, this is far from a new habit. It’s going to take A LOT longer, and a ton of patience, to be able to do this with less tension.

    I know that, once the tension is relieved, I’ll be able to bring it up to tempo.

    It I try to play it at a faster tempo now, I will unconsciously revert to the ingrained habit of playing with tension.

    I hope this was interesting for you.

    Do you have known, or unknown habits, that you’d like to work on? I’m available for private and small group lesson, in person in Albuquerque, NM or virtually on Zoom.

    In my experience, it is doing this kind of work that is PERFECT for virtual work. We’d be able to identify problem areas, and create a practice plan for you to bust through those limitations!


    Email Jason

  • NEW CLASS! Music Crew plays The 90s UNPLUGGED

    NEW CLASS! Music Crew plays The 90s UNPLUGGED

    Journey back to the era of flannel, grunge, and iconic acoustic performances in this unique music class for adults! “MTV Unplugged: The Acoustic ’90s” offers a deep dive into the legendary live sessions that epitomized the decade.

      Whether you’re an experienced musician or just picking up an instrument, this class provides a fun and engaging environment to learn and play some of the most beloved songs from the 1990s.

    The Music Crew Unplugged classes run on Wednesdays, 6:00 to 8:00 for eight weeks, beginning July 9.

    We’ll meet at the Saavedra Filing Station, 225 Saavedra RD SW.


    Register in the Knowing Trees Store

    There is more information at the Music Crew: The 90s Unplugged FAQ.

    And, please write to Jason at jason@knowingtrees.com with any questions and/or concerns. He’s very happy to help!

  • NEW CLASS! Grateful Dead Head Ensemble at FUSION

    NEW CLASS! Grateful Dead Head Ensemble at FUSION

    Get on the bus this summer as you, your intrepid teacher Jason McInnes, and your fellow Deadheads gather for this eight-week adult education music class dedicated to exploring and performing the music of the Grateful Dead.

    Designed by considering the needs of beginning, intermediate and advanced musicians, this course offers a deep dive into the band’s rich catalog, from beloved classics like “Truckin’” and “Friend of the Devil” to deeper cuts and extended jams.

    The class includes hands-on instruction, group rehearsals, and opportunities to jam in a relaxed, collaborative setting. Whether you’re a guitarist, bassist, vocalist, keyboardist, drummer, or other instrumentalist, you’ll gain new insight into the Dead’s music through playing it among a generous, encouraging community.

    The class will culminate with a gig during The Days Between; the week of celebration and commemoration between the anniversaries of Jerry Garcia’s birth (Aug.1) and death (Aug. 9). Gig details TBA.


    Register at FUSION!


    Grateful Dead Head Ensemble FAQ

  • My Pieces for the New Works Program from OffCenter Community Arts at FUSION

    My Pieces for the New Works Program from OffCenter Community Arts at FUSION

    I’m thrilled to say that the New Works program, which I was a part of at OffCenter Community Arts, is now up at FUSION, until June 22, 2025.

    These are the four pieces I have on display, among the work of 23 more artists from the program.

    From OffCenter

    This 12-week professional development program provides artists with educational workshops, a peer-network of artists, plus materials and support to create new, original artwork. The New Works program is a unique and welcoming opportunity for artists seeking professional development support.

  • Guest Post on Banjo After Dark

    Guest Post on Banjo After Dark

    Screenshot of the accompanying video

    I was quite honored when, last summer, Jonas Friddle of Banjo After Dark, asked me to make a guest video.

    The topic  I choose was one we regularly work on in Guitar Crew; knowing which songs are appropriate to bring to the jam.

    In this video I share my thoughts on, why it’s fun to bring a song to lead at an open jam, the types of songs to lead, and a few pointers to smooth the bumpy road that that beginning song leaders alway encounter.

    Do you have any advice to share, or an interesting story from a time when you lead a song, or when you heard someone else lead a song? We’d love to hear it!

    p.s. I highly recommend joining Jonas’ Banjo After Dark Patreon page. It’s free to join (although tossing a few bucks his way is always helpful) and I think you’ll find some fantastic resources.


    Screenshot of the Banjo After Dark Page, featuring Jason's video
    Jason McInnes Teaches How To Choose A Jam Song on Banjo After Dark.
  • Little Birdie with Jason and Frank Hamilton

    Little Birdie with Jason and Frank Hamilton


    Jason McInnes and Frank Hamilton outside playing banjos.

    Frank and Jason Play Little Birdie

    In the previous post I wrote a about recording recording Little Birdie with puja and maria.  That got me thinking about Frank Hamilton who taught me that song when I went to visit him in 2010.

    Here’s a recording of Little Birdie as we sang it that day.

    I talked with Frank the other day and he sounds fantastic.  His enthusiasm and positivity rang through my earbuds just like always.  It had been a long time since we talked and I was very glad to hear his voice.

  • Listen to Little Birdie with maria, puja and Jason

    Listen to Little Birdie with maria, puja and Jason

    I was so honored that maria and Puja invited me to record this song with them for their album, an area of the celestial sphere under the pecan tree.

    This video is our first take of the song. It isn’t the one that made the album, but I love this version just the same. This is the album version. If you follow the link you can hear and purchase the whole album which is a truly beautiful collection of music.

    A couple of our friends, Jess Baldissero (Joybird) and Jonas Friddle, have recordings of the song, too.   You can add these recordings, and the accompanying albums, to your collection at their respective bandcamp pages.

    Joybird

    Jonas Friddle

  • No school today? Then, let’s go visit Ella Jenkins!

    No school today? Then, let’s go visit Ella Jenkins!


    It was the summer of 2015 and there was an excited buzz in the air as the audience was finding their seats for the Young Stracke All-Stars album release show.  It had become known that Ella Jenkins had made it to the show, and everyone knew they were in the presence of someone very special.  Ella and I had met several times and had even played some gigs together, but we didn’t know each other so well yet. I was quite honored that she had accepted our invitation, and that we could share our music with her.

    By the fall of 2015 I had heard that Ella had moved into an assisted care facility not far from the Old Town School of Folk Music, where I was teaching, and the neighborhood where I lived. Eventually, something inside me clicked and I thought, “Oh. The kids don’t have school next Monday because of the holiday. We should go visit Ella!”

     

    https://www.knowingtrees.com/wp-content/uploads/2025/01/Charlie-IMG_7889.mov

    ⬆️ 🎶 Turn on the sound! 🎶 ⬆️

    For the rest of my time in Chicago, we had a regular meetup with Ella when school was not in session. I’d stop at the store to pick up some snacks for the kids, a bouquet of flowers, and peppermint ice cream, which was Ella’s favorite.

    We’d all gather in a communal room at the facility. This room had a piano and lots of space for us to spread out our instrument case, winter coats and snacks and little siblings would have room to roam freely. The facility staff was always very kind and graciously put up with us moving the furniture around. 

    Sometimes we’d have lots of families, other times it was just a few. No matter what we’d always have quite a time singing The Cuckoo, This Train, This Little Light of Mine and lots of other favorites! Often, a small crowd of other residents and their caregivers would gather to sing and clap along with us.

    Photo by Tim Ferrin
    Emma Reading her School Report About Ella


    I’m not sure how affected the kids were by being in the presence of someone famous, which Ella was. But Ella’s aura was never about fame. The intense, potent energy that one felt in Ella’s presence came from her love of music and community.

    When I think back on my time leading the Young Stracke All-Stars, and teaching in Chicago, these are some of my strongest memories. Not memories like stories, but memories of a feeling that, through our visits, we were all able to gather our lessons in music and community and take them out of the classroom and bring them to life in the larger world. In many ways, that world had, at least some way, been opened to us by Ella Jenkins and her music.


    Sharing some artwork.

     It was in afternoons like these, and other days when it was just Ella in me, that she became a very dear friend of mine. I’m not sure she could always remember my name, but I know that she knew who I was and she was always glad to have me visit. We had an understanding that we traveled together in the spirit of music.

    I was lucky that she and I had some quiet, peaceful time together on her 100th birthday, last August. Ella was very tired, but the sound of my uke perked her up and soon she was all smiles and lifted up by the music and singing along and playing imaginary drums. As you might imagine, we sang through some favorites; the Cuckoo, This Little Light of Mine and one of her favorites, The Glory of Love as performed by her friend Big Bill Broonzy.


    Celebrating Ella’s National Heritage Fellowship Award

    One time I brought my record player so Ella could listen to the Young Stracke All-Stars’ 7″ record.


    Ella’s spirit traveled on, on November 9, 2024. 

    It make me sad that I won’t be able to sing with her in person anymore. Thankfully, at least one of her songs comes to my lips every day. 

    I feel so lucky to have had the opportunity to learn so much from her and to have spent so much heart-felt time together.  

    Love you, Ella!
    I miss you so much. Thank you for opening your heart to me.
    Jason





    Putting on a show for all the other residence to celebrate Ella’s birthday.

    Always bring some flowers!
    Always bring some flowers!

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    TOJC7561

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    Erin and I stopped by to watch the National Heritage Fellowship award show. Ella couldn't travel to DC to be part of it, but we had a wonderful time watching together.
    Erin and I stopped by to watch the National Heritage Fellowship award show. Ella couldn’t travel to DC to be part of it, but we had a wonderful time watching together.

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    Maria was able to drop by!
    Maria was able to drop by!

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    Ella LOVED to play in A minor. She'd say, "They used to call me A minor Ella!"
    Ella LOVED to play in A minor. She’d say, “They used to call me A minor Ella!”

    Goodbye,Ella! We love you.
    Goodbye,Ella! We love you.

    Click on a photo to see a bigger image.

  • Songwriters’ Exchange with Jason & Jess – Replay from June 18, 2024

    Songwriters’ Exchange with Jason & Jess – Replay from June 18, 2024

    Jess Baldissero is not only a good friend, she is one of my favorite songwriters. I was honored that she sat with me earlier in the week to discuss the discoveries and accidents of the creative process. We shared some laughs, talked about good times and hard times and we each played a few songs.  

     

    Audio and Video

    Audio Only

    Getting to Know Trees knowingtrees.com · Songwriters' Exchange with Jason McInnes and Jess Baldissero

    Three tracks from The Hermit, my debut solo album are streaming during the pre-order period. The full album will be released June 28, 2024 on Bandcamp.

    http://joybird.bandcamp.comPick up Jess’s music, featuring her band Joybird, at Bandcamp also. 




  • Don’t Know What to Play? Put Your Worry Away and Try Dreaming

    Don’t Know What to Play? Put Your Worry Away and Try Dreaming

    Musical Dreaming – it’s a practice that I took part in, but had never really considered until some great chats with my old friend John Donahue.

    I think about John and his musical dreaming a lot when I meet with frustrated students. 

    Dreaming with Your Guitar .pdf

    They wanted to play more. They’re just too busy. They’re frustrated with the pace of their progress. They’re overwhelmed and don’t know what to practice.

    I get it. I feel that way about music all the time. Thankfully, I’ve developed some strategies to get me out of such a funk and this is one of them.

    Next time you don’t know what to play, or are bored or frustrated with the same old songs, try some dreaming. 

    The video is the best description I can make of this process.  I’ve also made a .pdf that has some drawings that can be useful, but there’s very little instruction on it.

    I hope you find this useful.