Welles Park original map

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Two Works Purchased by the City of Albuquerque

I’m thrilled to announce that two of my visual art pieces, Riverside and Arcs, were recently purchased by the City of Albuquerque.  The pieces will eventually be showcased in the city’s administrative buildings. Thank you to the City of Albuquerque, and the New Works program at OffCenter Community Arts for their support in this process. Riverside, 2025 Jason McInnes paint 24 x 36 inches Arcs, 2025 Jason McInnes ink 12 x 12 inches

On Practicing – End of the Line intro

The other day I was noodling around with some “mini shape” transitions and stumbled upon the intro to End of the Line by the Traveling Wilburys. The last phrase of the intro has the chords G > A > D > A > D. https://youtu.be/KIvME8CCpxA?si=7RNku93wiIGBLuOD I’m playing it using a combination of mini shapes with the  root on the 3rd string root on the 2nd string or root on the first string The phrase sounds like this. Thre major “mini” chord shapes. R = the root note. Playing it before I really dig in.  Click to enlarge the video window. https://youtu.be/nxx57VZ052s Maybe you can hear that there are some small gaps in the moves between chords. I can hear that, and it’s NOT how I want to sound! I’d better dig in. My understanding of what to play is clear, so that means my playing habits are creating some hesitations between the chords. Time to remove those hesitations. How does one go about that? Here is the process I use to find, and begin to correct, habits that are holding me back. It’s not just a matter of practice. I need to figure out exactly what my fingers are already doing, and work one changing THOSE habit. What I don’t want to do is just keep practicing over and over and over, and there by continuing to engrain the stuff I’m trying to remove. Here is a video where I’m not looking for the sound. I’m looking for where I see moments, of hesitation, or confusion on the part of my fingers. Looking for issues in my left hand fingers. Click to enlarge the video window. https://youtu.be/3JmJ2BRDrcU Now it’s just a matter of putting in the time and effort to build a set of new habits. I’m going ot have to spend A LONG TIME practicing like this. Part of the problem is that I’ve been playing for a long time and these habits are well engrained. I’m going to have to be mindful of this work throughout all of my playing time for week? months? Years? Beginning the Process of Cleaning Up My Playing https://youtu.be/j55glE83a8s Yep. Now that I’m aware of the issue, it’s getting a little bit better. But, this is far from a new habit. It’s going to take A LOT longer, and a ton of patience, to be able to do this with less tension. I know that, once the tension is relieved, I’ll be able to bring it up to tempo. It I try to play it at a faster tempo now, I will unconsciously revert to the ingrained habit of playing with tension. I hope this was interesting for you. Do you have known, or unknown habits, that you’d like to work on? I’m available for private and small group lesson, in person in Albuquerque, NM or virtually on Zoom. In my experience, it is doing this kind of work that is PERFECT for virtual work. We’d be able to identify problem areas, and create a practice plan for you to bust through those limitations! Email Jason

Goals and Education

Grateful Deadhead Ensemble – Music Class at FUSION

Thanks for visiting! Here’s some FAQ info about the class.  If you have other questions and/or concerns. Jason would love to hear from you. Feel free to contact him at 773-369-8268 (phone/text) or jason@knowingtrees.com   Grateful Deadhead Ensemble Next Session Begins – Oct. 7 – Register at FUSION Tuesdays,  6:30 to 8:30 – exact dates depend on the season Eight classes, plus one gig (nine meetings total) We’ll have class at FUSION 700 – 708 1st St. NW , Albuquerque, NM https://www.fusionnm.org/ +1.505.766.9412  $350 (This works out to $20 an hour.) All Instruments/singers welcome! Guitar players – Acoustic guitars are recommended, but not required. We’ll figure out amplification needs as the class rolls along. Drummers – There won’t be a back line at our practice space. Hand percussion instruments are HIGHLY recommended. Keyboardists – Jason will be providing a keyboard for the band to use. Obviously, should we have more than one keyboard player, there could potentially be some challenges. But, nothing that I think will hold us back.  Please contact Jason at 773-369-8268 (phone/text) or jason@knowingtrees.com if you plan on playing keyboards. Worried that you’re not good enough to play? Worried that you’re too good? This will be a multi-level class. Everyone will be asked to go to the edge of their abilities. Now, that edge will be very individual, as some folks are just beginnng and some folks have a lot of experience. Jason is confident that, no matter your experience level, you’ll walk out of class with a) something to work on, musically and b) a spring in your step from sharing music with such an positive community Grateful Deadhead Ensemble – Live at Canteen Brewhouse – Aug 10, 2025 https://youtu.be/rPYG-QlZqgs This is just a quick taste of our gig. Here is our full setlist Jam > Bertha Friend of the Devil Ripple Mr. Charlie > Box of Rain

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Robyn Hitchcock in at the South Broadway Cultural Center

We got to hear Robyn Hitchcock at the South Broadway Cultural Center last week. He’s such a fantastic performer. He played two sets of music, all requests, with his wife Emma adding some harmony for the last few songs. Then, he played the “encore” in the lobby. It was incredibly beautiful when he started A Day in the Life by the Beatles and everyone gently joined in for a sing along. 

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