Thanks for visiting. This site is currently getting redesigned and things are a little messy. If you are looking for something and can’t find it, please email Jason at jason@knowingtrees.com . He’ll do his best to be helpful!
It was a thrill to be in a packed house at TheGuild a couple weekends ago, for a screening of You’ve Got Gold. I thought it was fantastic. Gillian Welch and David Rawlings were a favorite. I also liked Jason Isbell. (I must admit that I’ve never sug into his catalog.)
The film is on a pretty big tour. You can find out more about that, and watch the trailer here. https://www.yougotgoldmovie.com/
p.s. 2011!?!?!?!? Wow, I have been at this for a long time.
Recently, I was passing along some approaches toward, and conventions within, a sing-along-style jam. I was reminded of this article from Acoustic Guitar Magazine.
I was interviewed for the article, and I’m proud to say that a lot of my thoughts were included!
❞ Yet, it’s not a performance. Those people are your allies, not your audience. “It’s more like basketball than theater,” says Jason McInnes, a guitar teacher who leads several regular jams at Chicago’s Old Town School of Folk Music. “Everybody wants the game to keep going, so they’re going to do everything they can to keep it going.”
Journey back to the era of flannel, grunge, and iconic acoustic performances in this unique music class for adults! “MTV Unplugged: The Acoustic ’90s” offers a deep dive into the legendary live sessions that epitomized the decade.
Whether you’re an experienced musician or just picking up an instrument, this class provides a fun and engaging environment to learn and play some of the most beloved songs from the 1990s.
The Music Crew Unplugged classes run on Wednesdays, 6:00 to 8:00 for eight weeks, beginning July 9.
We’ll meet at the Saavedra Filing Station, 225 Saavedra RD SW.
Get on the bus this summer as you, your intrepid teacher Jason McInnes, and your fellow Deadheads gather for this eight-week adult education music class dedicated to exploring and performing the music of the Grateful Dead.
Designed by considering the needs of beginning, intermediate and advanced musicians, this course offers a deep dive into the band’s rich catalog, from beloved classics like “Truckin’” and “Friend of the Devil” to deeper cuts and extended jams.
The class includes hands-on instruction, group rehearsals, and opportunities to jam in a relaxed, collaborative setting. Whether you’re a guitarist, bassist, vocalist, keyboardist, drummer, or other instrumentalist, you’ll gain new insight into the Dead’s music through playing it among a generous, encouraging community.
The class will culminate with a gig during The Days Between; the week of celebration and commemoration between the anniversaries of Jerry Garcia’s birth (Aug.1) and death (Aug. 9). Gig details TBA.
We got to hear Robyn Hitchcock at the South Broadway Cultural Center last week. He’s such a fantastic performer.
He played two sets of music, all requests, with his wife Emma adding some harmony for the last few songs. Then, he played the “encore” in the lobby. It was incredibly beautiful when he started A Day in the Life by the Beatles and everyone gently joined in for a sing along.
What an honor to be asked to share our love for Ella Jenkins for the Children’s Hour podcast.
I think the host, Katie Stone, did a fantastic job capturing the many ways that Ella touched so many lives.
When you listen, you’ll also hear the Young Stracke All-Stars perform Ella’ This Train. What a delight to hear this song on the radio so many years after we recorded it.
Last night wrapped up the Late Winter 2025 session of Guitar Crew. The Crew was made up of five guitar players with experiences ranging from less than a year to many years.
We finished by recording our own arrangement of Bob Wills’ Faded Love. This is a recording of the five members of this sessions’ Crew. I’m accompanying on percussion.
We covered many skills and concepts this session. Some of those topics, which you can hear in this arrangement, were:
Basic chords changes
Learning songs by ear
The hows and whys of playing songs in different keys
Knowing our roots and 5ths of each chord and using that to play alternating bass strums
Working with the major scale and using that to create bass walks in between chord changes
Singing and playing at the same time.
Playing the chord changes in different locations on the guitar, either with “mini shapes” or using a capo.
Ensemble playing (play strong and also make room for the other musicians)
Playing a melody and improvising over chord changes
Here’s Guitar Crew with
Faded Love
In class, we work together to make the arrangements of the songs we play. These are the notes from our arrangement of Faded Love.
I think it sounds so good! Congratulations, Guitar Crew!
The Early Spring session of Guitar Crew begins in mid-March. We’d love to have you be part of the Crew! Send me a note if you have anyquestions.
I was quite honored when, last summer, Jonas Friddle of Banjo After Dark, asked me to make a guest video.
The topic I choose was one we regularly work on in Guitar Crew; knowing which songs are appropriate to bring to the jam.
In this video I share my thoughts on, why it’s fun to bring a song to lead at an open jam, the types of songs to lead, and a few pointers to smooth the bumpy road that that beginning song leaders alway encounter.
Do you have any advice to share, or an interesting story from a time when you lead a song, or when you heard someone else lead a song? We’d love to hear it!
p.s. I highly recommend joining Jonas’ Banjo After Dark Patreonpage. It’s free to join (although tossing a few bucks his way is always helpful) and I think you’ll find some fantastic resources.
Jason McInnes Teaches How To Choose A Jam Song on Banjo After Dark.
This video is our first take of the song. It isn’t the one that made the album, but I love this version just the same. This is the album version. If you follow the link you can hear and purchase the whole album which is a truly beautiful collection of music.
A couple of our friends, Jess Baldissero (Joybird) and Jonas Friddle, have recordings of the song, too. You can add these recordings, and the accompanying albums, to your collection at their respective bandcamp pages.