Welles Park original map

Instruments

On Practicing – End of the Line intro

The other day I was noodling around with some “mini shape” transitions and stumbled upon the intro to End of the Line by the Traveling Wilburys. The last phrase of the intro has the chords G > A > D > A > D. https://youtu.be/KIvME8CCpxA?si=7RNku93wiIGBLuOD I’m playing it using a combination of mini shapes with the  root on the 3rd string root on the 2nd string or root on the first string The phrase sounds like this. Thre major “mini” chord shapes. R = the root note. Playing it before I really dig in.  Click to enlarge the video window. https://youtu.be/nxx57VZ052s Maybe you can hear that there are some small gaps in the moves between chords. I can hear that, and it’s NOT how I want to sound! I’d better dig in. My understanding of what to play is clear, so that means my playing habits are creating some hesitations between the chords. Time to remove those hesitations. How does one go about that? Here is the process I use to find, and begin to correct, habits that are holding me back. It’s not just a matter of practice. I need to figure out exactly what my fingers are already doing, and work one changing THOSE habit. What I don’t want to do is just keep practicing over and over and over, and there by continuing to engrain the stuff I’m trying to remove. Here is a video where I’m not looking for the sound. I’m looking for where I see moments, of hesitation, or confusion on the part of my fingers. Looking for issues in my left hand fingers. Click to enlarge the video window. https://youtu.be/3JmJ2BRDrcU Now it’s just a matter of putting in the time and effort to build a set of new habits. I’m going ot have to spend A LONG TIME practicing like this. Part of the problem is that I’ve been playing for a long time and these habits are well engrained. I’m going to have to be mindful of this work throughout all of my playing time for week? months? Years? Beginning the Process of Cleaning Up My Playing https://youtu.be/j55glE83a8s Yep. Now that I’m aware of the issue, it’s getting a little bit better. But, this is far from a new habit. It’s going to take A LOT longer, and a ton of patience, to be able to do this with less tension. I know that, once the tension is relieved, I’ll be able to bring it up to tempo. It I try to play it at a faster tempo now, I will unconsciously revert to the ingrained habit of playing with tension. I hope this was interesting for you. Do you have known, or unknown habits, that you’d like to work on? I’m available for private and small group lesson, in person in Albuquerque, NM or virtually on Zoom. In my experience, it is doing this kind of work that is PERFECT for virtual work. We’d be able to identify problem areas, and create a practice plan for you to bust through those limitations! Email Jason

Jason McInnes and Frank Hamilton outside playing banjos.
Banjo

Little Birdie with Jason and Frank Hamilton

In the previous post I wrote a about recording recording Little Birdie with puja and maria.  That got me thinking about Frank Hamilton who taught me that song when I went to visit him in 2010.

Banjo

Songwriters’ Exchange with Jason & Jess – Replay from June 18, 2024

Jess Baldissero is not only a good friend, she is one of my favorite songwriters. I was honored that she sat with me earlier in the week to discuss the discoveries and accidents of the creative process. We shared some laughs, talked about good times and hard times and we each played a few songs.     Audio and Video Audio Only Getting to Know Trees knowingtrees.com · Songwriters' Exchange with Jason McInnes and Jess Baldissero Three tracks from The Hermit, my debut solo album are streaming during the pre-order period. The full album will be released June 28, 2024 on Bandcamp. http://joybird.bandcamp.comPick up Jess’s music, featuring her band Joybird, at Bandcamp also. 

Essays

Don’t Know What to Play? Put Your Worry Away and Try Dreaming

Musical Dreaming – it’s a practice that I took part in, but had never really considered until some great chats with my old friend John Donahue. I think about John and his musical dreaming a lot when I meet with frustrated students.  https://vimeo.com/949795666?share=copy Dreaming with Your Guitar .pdf They wanted to play more. They’re just too busy. They’re frustrated with the pace of their progress. They’re overwhelmed and don’t know what to practice. I get it. I feel that way about music all the time. Thankfully, I’ve developed some strategies to get me out of such a funk and this is one of them. Next time you don’t know what to play, or are bored or frustrated with the same old songs, try some dreaming.  The video is the best description I can make of this process.  I’ve also made a .pdf that has some drawings that can be useful, but there’s very little instruction on it. I hope you find this useful.

Essays

Guest Post – John Mead Teaches the Guitar Solo from Dead Flowers by The Rolling Stones

“This is a great solo to start on—it’s simple, clear, and articulate; it will teach you how to hear clear phrases and how to hear bends (which make up a significant part of the solo). It will teach you a couple of fairly sophisticated ideas while being very simple and satisfying to play.” John Mead We’ve been working on Dead Flowers in some recent Guitar Crew meetups and recently a student asked “Do you know how to play the guitar solo?” I thought, I don’t but I know EXACTLY who does. Check out this killer lesson from one of my very closest friends, and a truly gifted educator, John Mead. Sure missing hanging out with this guy! Download the pdf. You’ll notice that John makes the point that, “THERE IS NO SUCH THING as a ‘pentatonic major scale.’ Now, if you know me and my teaching, you’ll know that soloing with the major pentatonic scale is a core skill of  my introductory improvising lessons. Ha!But, I totally get where he’s coming from and there’s a lot of truth to it. If you’ve had those introductory lessons from my, I highly recommend digging into this lesson to put some of those concepts into practice and to take you’re playing to a new space.   John is an incredible teacher, player and music philospher. Give him a shout if you’re looking to turn up your guitar playing. John’s there to help you make that happen. Contact John

Goals and Education

“How do you do THAT!?!?!?” Learn a Song By Ear: An Approach (Free Self-Guided Lesson)

When I was first taking guitar lessons my teacher told me to bring in a cassette of any song that I wanted to play. I was so blown away when he’d hear it, having never heard it before, and by the end of the lesson have written down how to PLAY THE SONG. How did he do that?!?!?!?!?!? He taught me some stuff, but he definitely never taught me how figure how songs for myself. In the years sense, I’ve gleaned a lot about how people learn by ear. And, being on the other side of the teacher/student dynamic I often hear my student bewilderment as to how I can play by ear. And, I found that while many hear me be able to do it, they didn’t have a grasp of WHAT I was doing. At first the task seems quite daunting but once it’s broken down into a few manageable steps, it’s really not so difficult. It does take time and effort, but I am fully convinced that it doesn’t take any special talents or innate abilities. This is a self-lead lesson where I present very short videos that describe the exact process I use to learn a song by ear.   Give it a try and listen to how it goes. Drop me a note to let me know how you do, and if you have any questions or concerns. Enjoy! Learn a Song by Ear by Jason McInnes

For the
Curious & Creative

The Getting to Know Trees Newsletter 

You have been successfully Subscribed! Ops! Something went wrong, please try again.